Dusty Springfield - You Don't Have to Say You Love Me

She didn't have the benefit of tech sound of today...she just stood there and sang with such style and technical ability...she knew how to work the mike and connect with the song and those in front of her. She was really underappreciated for musical skills...incredible singer. Dusty would blow away many singers of today when she was young. There was really NO ONE in U.S. OR U.K. at that period of time that can close to her voice, even tho many had the pipes. Dusty had it all...and gorgeous.
She is just one of my favorite singers.
You knew it was her the minute you heard her gorgeous voice. Beautiful lady, beautiful voice, a superstar from an era full of superstars.

Lyrics:

When I said, "I needed you"
You said, "You would always stay"
It wasn't me who changed, but you
And now you've gone away

Don't you see that now you've gone
And I'm left here on my own
And that I have to follow you
And beg you to come home


You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me
Believe me
I can't help but love you
But believe me
I'll never tie you down

Left alone with just a memory
Life seems dead and so unreal
All that's left is loneliness
There's nothing left to feel

You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me
Believe me

You don't have to say you love me
Just be close at hand
You don't have to stay forever
I will understand
Believe me
Believe me
Believe me


"You Don't Have to Say You Love Me" (originally a 1965 Italian song by Pino Donaggio and lyricist Vito Pallavicini: '"Io che non vivo (senza te)") is a 1966 hit recorded by English singer Dusty Springfield that proved to be her most successful hit single, reaching number one on the UK Singles Chart and number four on the Billboard Hot 100; the song subsequently charted in the UK via remakes by Elvis Presley (No. 9/1971), Guys 'n' Dolls (No. 5/1976) and Denise Welch (No. 23/1995), with Presley's version, released in 1970, also reaching No. 11 in the United States. "You Don't Have to Say You Love Me" was also a Top Ten hit in Ireland for Red Hurley (No. 5/1978), in Italy for Wall Street Crash (No. 6/1983), and - as "En koskaan" - in Finland for Kristina Hautala (No. 6/1966).

Dusty Springfield, who participated at the 1965 Sanremo Festival, was in the audience when Donaggio and Miller performed "Io che non vivo (senza te)" and despite having no awareness of the lyrics' meaning the song moved Springfield to tears. Springfield obtained an acetate recording of Donaggio's song, but allowed a year to go by before actively pursuing the idea of recording an English version.

On 9 March 1966, Springfield had an instrumental track of Donaggio's composition recorded at Philips Studio Marble Arch: the session personnel included guitarist Big Jim Sullivan and drummer Bobby Graham. Springfield still lacked an English lyric to record: eventually Springfield's friend Vicki Wickham, the producer of Ready Steady Go!, would write the required English lyric with her own friend Simon Napier-Bell, the manager of the Yardbirds. Neither Wickham nor Napier-Bell had any discernible experience as songwriters: according to Napier-Bell, he and Wickham were dining out when she mentioned to him that Springfield hoped to get an English lyric for Donaggio's song and the two lightheartedly took up the challenge of writing the lyric themselves: "We went back to [Wickham]'s flat and started working on it. We wanted to go to a trendy disco so we had about an hour to write it. We wrote the chorus and then we wrote the verse in a taxi to wherever we were going." Neither Wickham or Napier-Bell had any understanding of the Italian lyrics of the original song: according to Wickham they attempted to write their own lyric for an anti-love song to be called "I Don't Love You"; when that original idea proved unproductive it was adjusted first to "You Don't Love Me" and then "You Don't Have to Love Me" which was finalized as "You Don't Have to Say You Love Me" to fit the song's melody. Napier-Bell was later to give the same title to his first book, an autobiographical account of the British music scene of the 1960s.

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