Genesis: Columbus, Ohio Live October 10, 1978 8mm - 46th Anniversary Remaster (2K)

11th Earl of Mar (0:00)
In the Cage (7:38)
Burning Rope (11:26)
Ripples (12:16)
Deep in the Motherlode (14:59)
One for the Vine (16:34)
Squonk (20:42)
Say It's Alright Joe (22:22)
The Lady Lies (23:07)
Cinema Show (25:38)
Afterglow (30:54)
Follow You Follow Me (34:26)
Dance on a Volcano (37:41)
Drum Duet (41:20)
Los Endos (42:51)
I Know What I Like (48:02)

At this point I have been transferring and syncing 8mm films for almost 25 years. That was just as DVDs were entering the marketplace but long before HD or YouTube. There were very simple transfer machines that (at best) projected the film onto the CCD of a camera. We were happy to even have a digital copy of the film at all!

So much has changed since then, that I have re-transferred, re-synced, and re-restored some of the films I have worked on before, using more modern tools and techniques. But after many 100s of reels of 8mm film, and all the time and money required, there is simply no way for me to redo them all when some new piece of hardware or software becomes available. I transferred this film in 2012 (https://www.youtube.com/watch?v=KUCQBeZskC0) and again in 2017 (https://www.youtube.com/watch?v=zimD5--h8eA)...and here I go again :)

This film which is part of The Genesis Museum film collection, is the longest known Genesis 8mm film in existence, and one of the longest known concert 8mm film by any band. Each film reel held only a few minutes and cost a fortune in 1970s dollars to buy and process, so most concertgoers only brought a couple reels to a show...but not Pete Shapter...Pete brought 17 reels of film and filmed almost a full hour of concert footage!

I once again transferred these reels, this time with a wetgate 2K low-contrast film scanner that can capture all of the information without losing either highlights or lowlights. Some of Phil is lost to the bright spotlight on the film itself and not correctable in the transfer, but Serge Morissette (from The Musical Box) restored the spot-lit areas specifically to try and capture as much detail as possible.

Serge then painstakingly stabilized the entire film, manually removing blurry frames as he went. Shake *removal* like this of course loses more of the picture's edges compared to the shake *reduction* I normally do, but the results were amazing in this case!

I then restored the image, corrected color scene by scene, cleaned dirt, damage and spots, and synced high-quality soundboard audio remastered by Tom Morgenstern and Alessandro Vasserot. The results, while not perfect, are quite amazing for 8mm and at times could be confused with 16mm. This film gives Genesis fans the best chance to see what a mirrors concert was like.

As always, if you have or know someone with Genesis or Peter Gabriel films, let us know. We do all of the above for free!

https://genesismuseum.com

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