Jan Matsys or Jan Massijs (Netherlandish, Antwerp ca. 1509-1573 Antwerp) - Paintings by Jan Matsys or Jan Massijs in the Nationalmuseum (NM), Stockholm, Sweden.
Jan Massijs or Jan Matsys (c.1510 – 8 October 1575) was a Flemish Renaissance painter known for his history paintings, genre scenes and landscapes. He also gained a reputation as a painter of the female nude, which he painted with a sensuality reminiscent of the school of Fontainebleau.
He was born in Antwerp, the son of leading Antwerp painter Quinten Matsys and the older brother of Cornelis, who became a painter and engraver. He trained under his father. He was admitted, together with his brother Cornelis, as a master in the Antwerp Guild of St. Luke in 1531, a year after their father's death. It is assumed that he left Antwerp immediately thereafter and worked for a while in Fontainebleau, but these facts are not firmly established. He was back in Antwerp by 1536. He married his cousin Anna van Tuylt in 1538. The couple would have three children.
In 1544 Jan and his brother Cornelis were banned from Antwerp because of their religious beliefs. It is possible that Jan went to Fontainebleau and Germany.[5] It is certain that he spent time in Genoa. He returned to Antwerp before the end of 1555 when the ban imposed on him was ended. He was then involved in a number of court cases with his brothers and sisters over the distribution of inheritances.
He had been sufficiently rehabilitated for the local city council to commission several works from him. These works were destroyed in 1576 when Spanish troops set the city hall on fire during the Spanish Fury and the Sack of Antwerp. Jan Massijs had died the year before, in Antwerp, having been reduced to a state bordering on poverty. His son Quentin had become a master of the Guild of St. Luke in 1574 and would die in Frankfurt in 1589. Jan's daughter Susan emigrated to Italy. It is assumed that Jan's children left Antwerp for religious reasons.
His known pupils are Frans van Tuylt (in 1536), Frans de Witte (in 1543) and Olivier de Cuyper (in 1569)
He developed a distinct style and treated a number of subjects that became characteristic for his work. Remarkable is the important role that the female nude and eroticism play in his work. He frequently used Old Testament figures such as Judith, Susanna, Bathsheba and the daughters of Lot as an excuse to depict the female nude. The sensuality of these figures is reminiscent of the works of the School of Fontainebleau. The principal male characters he depicted were Tobias and Elias.
Jan Massijs is sometimes regarded as one of the pioneers in Netherlandish art of certain secular subjects such as 'unequal love' (depicting a couple of widely different ages) and 'merry companies'. In these paintings temptation and purchased love always seem to play the main role. Other subjects he pioneered were the money changer, tax collector and the miser, although others see his father as the creator of this genre. These works are considered to have carried a moralizing purpose.
https://en.wikipedia.org/wiki/Jan_Matsys
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Music:
Angevin - Thatched Villagers
4:40
Kevin MacLeod
Clásica | Serena
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Tender Steps
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Romance for Piano and Cello by Martijn de Boer (NiGiD) (c) copyright 2015 Licensed under a Creative Commons Attribution Noncommercial (3.0) license.
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