Belly Dancer Heidi Jonsdottir & Lise Davidsen is dancing a Saidi Assaya  Mavedans/Bellydance . 2007

Belly Dancer Heidi Jonsdottir & Lise Davidsen is dancing a Saidi Assaya Mavedans/Bellydance . 2007

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Body Cares Orientalske Mavedanser Skole in Prismen 10.07.2007.
Del 2.
My daugther Lise and I are dancing a traditional Saidi Assaya(cane) dance from Egypt.
Mahmoud Reda style Saidi Assaya.
Choreography by: Maher Kishk, Egypt/Denmark.

The Group:
🌟Arabesc Belly Dancers Group is a professional dance group.🌟 If you ar looking for beautiful and autentic dancers, with a lot of experiance and who can delever great show to your party. Then you have come to the right place. Nothing is to small ore big. We can way help you with ideas how your party will be a big succes for you and your guest.

Gruppen:
Arabesc Belly Dancers Group er en professionel danse gruppe. Hvis du leder efter smukke og autentiske dansere, med en masse erfaring og som can levere et fantastisk show til din fest. Så er du kommet til det rette sted. Intet er for lille eller stort. Vi kan til enhver tid hjælper dig med ideer til, hvordan at netop din fest bliver en stor succes for dig og dine gæster.

The dance School: In February 2021.
We dance online on facebook in a closed group/room. Where i can see you and correct you.
In this month we dance to the genrer baladi. We are practicing to baladi rythm in different tempi, technique, small combinations. You will learn a accordion baladi choreography.

Danseskolen: I februar 2021
Vi danser online på facebook i en lukket gruppe/rum. Hvor jeg kan se dig og rette dig.
I denne måned danser vi til genren baladi. Vi træner til baladi rythmer i forskellige tempi, teknikker, små kombinationer. Du lærer en accordion baladi koreografi.
Kontakt: Heidi Jonsdottir. Tlf/sms 26448238/mail:[email protected]
Please remember to subscribe on the video.
I dont own the right to the music only the right to dance to it.
🌟Body Cares Orientalske Mavedanser Skole.🌟
Grundet Covid-19 er der hold online så længe det kræves af vores myndigheden.
Mandag: kl. 17-19. Åben level/mix level. Teknik/basic/combokl. 18-21 Øvede/ show hold.
Teknik//combo/choreo - Onsdag: kl. 18-21. Øvede/show hold. Teknik/combo/choreo
Torsdag: kl. 17-19.Åben level/mix level. Teknik/basic/combo kl. 18-21 Øvede/ show hold.
Teknik/combo/choreo
Adresse: Sundbyøsterskole fritidshjemmet. Smyrnavej 7B. 2300 Kbh S.
@heidijonsdottirorientaldance , @Arabesc Belly Dancers , @Belly Dancer Heidi Jonsdottir

Saidi Dance/Raqs Assaya/Cane Dance, is one of my favorite folkloric dances. It is a very popular folkloric dance, performed by men and women at festive events,as weddings, birthdays, partys.
Saidi dance is originates from the male dance called Raqs Tahtib (Raqs Tahtyb) which is a stick dance performed by men, in which the men mimic the moves used in the martial art, Tahtib. In Tahtib the men use bamboo poles. It is used while on top of horses and/or in actual combat. In Raqs Tahtib, the dance, the men will dance around each other while pretending to attack and block each other.
The first women to use the stick for performances were the female gypsies of Upper Egypt, called the Ghawazee. They copied moves from the men’s Tahtib as well as incorporating their own movements into the dance. The Ghawazee dancers would place the sticks between each other, pressing into their bellies, as they danced around in a circle, showcasing their hip twists and shimmies.
Today, it gets confusing to know what you are looking at as there are so many different variations of this dance. There’s home style Saidi dance, Saidi performed by the local entertainers (Ghawazee), Raqs Tahib performed by men, Saidi styles coming from two different National dance companies of Egypt (including Reda style), and a nightclub version, which you might call “Cairo Style” female dance, which is most common today among women performers.
Mahmoud Reda, who was the artistic director of one of the National dance companies of Egypt, took the dance to the stage, modifying the costumes. As Saidi women were forbidden to dance in public, Mahmoud was unable to witness women dancing, other than the Ghawazee dancers, and therefore had to invent the women’s Saidi dance using what he learned from the men.
The traditional costume of Saidi dance is a long galabeya (dress). There are many versions of the galabeya, including the men’s traditional, solid-colored galabeya which is often modified with added color for the stage; a female glitzy version of a galabeya; or a traditional Ghawazee style galabeya costume. It’s also fine to wear a cabaret bedlah (bra and belt), especially if the Saidi piece is in the middle of a set of other cabaret songs. Saidi music uses the mizmar, nay, rebaba, and tabla.
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